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Were just beginning to see the final stages of the introduction of synth and hardware MIDI controllers into computer-based DAWs. However, Live 11 delivers a nice dashboard for creating a familiar synth setup, something we have missed from the last few updates. The ability to control multiple synth via a MIDI keyboard is a welcome addition to Pro Tools in my books. The other news items that you may not know about will likely interest Live users more than industry folk: For instance, you now have the option to use the Clips on the new Tab View. You can now instantly drag a clip across the screen to any other window on the Session View, or to a new track. What else? The new Session View can now handle your files of any size. You can open up to eight sessions at once, each with their own independent tabs for cross-cutting and editing.
Live 11 is not just about new features in Pro Tools, it also brings new processing power to the table with the all-new Neon Vst Platform. VST control is now in the forefront of DAWs, and live software soundbanks now have a purpose beyond cool browsing. It is easy to install VSTs and plugins into Live. Users can also run proprietary plug-ins, including reverb and EQ, from programs like Cubase, Pro Tools, and others. There are well over 2,500 plug-ins in total that are available from the Neon VST platform in Live 11. It is a free download, but you need to sign up for a free Live account first. Once you do, your VST profile is saved, so you don’t need to redownload it every time you want to try it out.
For those of us who are looking for more live-ready features in our DAWs, Live 11 provides a new level of real-time synths, synths that can record audio and MIDI in real time while they are being created and edited on a timeline. Three of the new synth instruments are likely to be of interest to many users. First, there is the VST Dimension ( 34:50 ), a real-time synth based on the well-known Dimension MIDI controller. It supports eight multisampled voices, six LFOs, four envelopes, and many effects, including a quality-sounding reverb and several delays. The Dimension is also controllable via MIDI and can be triggered from within Live. The Ava ( 44:14 ) is yet another Dimension-based synth, but its purpose is to provide sample playback. In Live, this offers two synth voices that change with each playback. And then there is the new Spark ( 45:10 ), which is a general-purpose synth with a warm analog sound and some advanced modulation options. The Spark is a very flexible synth, and its new Wave Table feature means you can use its oscillator as a sample-playing instrument by using new resonators. By using its wavetable as a resonator, you can control its pitch while also controlling the voice of the VST Dimension. If that sounds a little complicated, its not. It is easy to use, and the Spark is one of the best choices for a really easy-to-use synth.
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I hope you have enjoyed our best free pieces of advice on creating music. You can download Ableton Live from the website, or you can download it now for free from the Apple App Store. Just make sure you have a MIDI keyboard and a midi controller, preferably a USB keyboard. Max and Live are extremely powerful tools, and they have their uses beyond just MIDI and audio synthesis alone. There are a multitude of people who use them not only to create musicianship tutorials, but for making video editor plug-ins, interactive performances, interactivity panels for video presentations, and so much more. If you want to get started with a visual composer tool and audio programming in general, this bundle is one of the best and most affordable you can get.
And this leads me to another focal point on Max for Live, namely that it can be used as a platform for the creation of new devices. Your Live session and the live instruments you use in it are all tied to the Max for Live SDK, so you can make your own instruments and devices for Live. In fact, I did it, and now I can show you how. You dont need to be a programming expert to make a Max for Live device. You just need to know Live well, and what I mean by that is, you need to know:
- How to create instruments
- How to track music
- How to edit audio
- How to configure gadgets
- How to automate your new gadget
While this isnt a comprehensive list of all Max for Live devices, here are some of the devices that seem to be quite popular. These are mostly 3rd party plugins, except for two (Three-Band Bass Shaper and FourLoops Drum Rack), which are intended for Live use. There are also a bunch of stock Live devices that can provide you with some of these features. If you want to download a large number of Max for Live devices and their source code, my recommendation is to choose MaxforLive.net instead of maxforlive.com.
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Ableton has been making music software for decades, and the launch of Live 10 has long been a long-awaited release for them. With the upgrade, theyve finally added Wavetable, giving us a slew of new wavetable synths to play with, at a vastly reduced price point. Its now easier to create your own presets for existing devices, offering up a new ability to manipulate notes of the beat. Its quite different to Live 9, and yet with a little time to familiarise yourself with its inner workings, its time to get it playing.
Ableton live has always been very much about creativity. As the only live performance application that has its own audio recording tool, and the only DAW application built on Max/MSP, Ableton has found its niche. Is it the best application for you? Probably not. But it certainly does its job well in a number of areas. I see no need for a standard functionality when a standard build tool is available. There is now great opportunity for new companies to produce innovative products with a clean and simple desktop interface based on Max/MSP.
Ableton is the domain of a community of creatives. Its integrated development kit, plug-in architecture and openness has created a platform in which many small developers have been able to flourish. One such group has produced one of the most in-demand audio plug-ins, the Tape Delay effect. Better yet, the effect has been emulated in Ableton Live and released as a free product. Its a great example of community driven evolution.
Cracked Ableton Live 10 allows you to take your studio anywhere. With virtually unlimited channels, an accessible interface, and the ability to cross platform, Live 10 is an essential piece of audio production kit. If your track is a song, Ableton can work for you. If your track is a sound, Ableton can put out the fire. Theres a reason why Live is the #1 most used DAW in the world, and its effects on its creators are endless.
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What’s new in Ableton Live
- Live Suite and Standard are coming to stores May 16
- From June 1, Live 9.1.0 will no longer be sold as a stand-alone product, but will be offered as part of Live.
- Improved Track format for better handling of sample-based drum kits
- New MIDI and Audio input and output device, such as the TC Electronic Voice Pad VE2 and the LD Mixmate ICM
- Ensemble and Instrument improvements
- Improved Live Link and Audio Link devices.
- Enhancements to Max for Live, Ableton Push 2
- Drum Buss
Ableton Live Features
- Two-channel Sequencer View (see below)
- Two-channel Arrangement View
- Session View (see below)
- 7 Clip Monitor views (Arrangement view)
- Bass Tab (see below)
- Hot Cues Tab
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