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So you have a client who needs a remix, and you’ve thought through all of the pros and cons of each idea that you have for the remix. So you put it all together and record it, and it turns out that it sounds great. But you start hearing all of your friends ripping it, or you hear all of your favourite hip hop artist covering it, and it’s just not the same. It needs a bit more something and a bit less something. To that end, let’s take a look at Crack For Ableton Live 11’s Session View. It’s everything you’d expect from any DAW, and that’s what makes it so nice.
Ableton Live’s Session View is in an interesting state of flux. The horizontal grid that you can navigate with the mouse was moved to the bottom, on the ‘Arrangement’ side of the window. ‘Arrangement’ had its name changed to ‘Project’ (a more practical term for musicians, and a definite upgrade from ‘arrangement’). Finally, the session view features a more conventional horizontal timeline (like on any mainstream DAW), where each track is represented by a discrete space. Tracks can be grouped in number-assigned compartments called Scenes, and playing multiple tracks simultaneously may be easier than selecting all tracks and moving them all individually.
With the shift to the session view, the basics of Live remain the same, but the navigation and monitoring features are a bit more Spartan. There are no title tracks, and you can’t add transitions (or, in the demo mode, add the horizontal bar at the top that shows when you’ve added a new edit section). The Global FX section of the window also serves double-duty, providing compressors, EQs, and modulators to be inserted in all tracks of the session. There’s no separate ‘EFX’ area, so these parameters are considered part of the main view. You also can’t save the settings of the FX. Moreover, Live has added some new visual cues for managing clips (which was Live 9’s only non-graphics change).
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Exciting things are happening in the Live world, and no matter which side of the fence you sit on, you shouldnt let its role in software music production pass you by. Our next post will feature more information on the ways in which Max for Live can be incorporated into your Live recording and performance practices. For now, i look forward to seeing your own creations. Go here for more information on Ableton Live, and be sure to visit our news page regularly to stay current on all of the latest Live technologies.
The Musician’s Blog: Live is a piece of software that virtually anyone can use, and its powerful synthesizer, loops and effects engine and powerful editing features, make it one of the most important and flexible music production suites on the market today. Max for Live was probably the most revolutionary thing to happen in Live since they redesigned the interface. Itre certainly not the only reason Live is so powerful, innovative and flexible, but it might be one of the major reasons. After seeing Max for Live, use Ableton Live and watch what amazing things it can do, youll likely wonder how you ever functioned without it.
The Push 2 is currently only available on Mac OSX, and some of the best features of Ableton Live are only available for that platform. These are the User Keyboard (which stands for USB MIDI) and the Push 2 Core, both are shipped with an included gamepad. With its ability to control both Push 2 and Push 1, the User Keyboard is very useful for audio or MIDI producers who want a portable, user-friendly control surface. Ableton Live running on a PC will not allow for such a convenience. Users who wish to use the Push 2 on Windows will need to purchase the USB to MIDI adapter, which costs only $15.00.
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What’s new in Ableton Live?
Ableton Live 9.5, released on September 16, gets a major update with audio recording, audio performance and sound quality improvements and visual studio-like display for the Push. A new intuitive and flexible workflow with visual performance improvement opens up new performance possibilities. The new Push workstation controller offers full-bodied performance controls, makes the most of the sequencer, audio tools and effects for a complete solution.
If its possible to remake a record in a few months, it seems like a totally different world when youre forced to do it overnight to meet a deadline. In this case, the aim of the new Record Fixer tool is to make it quicker and easier to fix recorder problems, such as D-Diffs, unusual panning and clipping. Live 10 also includes a new (and free) automatable remixing option in Live Sets. This allows users to remix any sound in a set using the Track Pane.
Max for Live integration was a key feature of Max 6, and Ableton Live 9, and with the arrival of Max for Live 10, its finally arrived. The (usually) painless process of making your own devices, with presets made by others, can end up as a pretty good way to save some money, and tweak the design of your own devices. Live 10 comes with a set of new devices by the community, and you can also create your own. But what difference do these new devices make to Live? Well theyre largely aimed at audio for the time being, with the exception of the new MIDI devices.
Its fairly well known that interfaces have changed a lot over the last couple of years. The new Live 10 interface basically tries to retain the simplicity of Live 9, while incorporating the Maxim, Wavetable and Echo devices. So the new UI makes navigating devices very fast and easy, but takes away some of the simplicity of Live 9, although with the potential to make for a really snappy user experience.
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What’s new in Ableton Live
- Multiple devices can be selected in the mixer, and selecting them will bring the automation window into focus. You can control devices within the automation window by clicking the device name in the window or clicking the automation in the Devices palette.
- Most importantly, you can now save automation state into a region of your song or clip to recall and use that state when creating a new clip or during editing.
- More MIDI mapping options, including file type, channels, and mapping to “Receive MIDI”, “Send MIDI as”.
- Bus automation. You can now control the relative volume of the live outputs of various devices, including individual outputs of audio tracks, channels, and buses.
Ableton Live Features
- Modeling
- Sample Presets
- Music Editor
- Sequencer
- Synthesizer
- Sampler
- Effects/Reverb
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