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There are many plugins included for mixing and effects in the production version of Pro Tools. Soothing Reverb, Tube Drive, and the stock EQ can work wonders, but the library of virtual instruments is also quite impressive. Neve, SSL, and API plug-ins all offer quality sound and the ability to edit parameters in real time. I never attempted to use the API plug-ins, but the Neve and SSL ones could each be a decent choice for a beginner mixing on tight budgets.
First, you don’t have to buy Audio Units plug-ins to use their virtual instrument-like virtual instruments in Pro Tools. To make this work, open a synth plug-in’s window and check the box for using AU, then load Pro Tools and use the interface from there.
You can use Pro Tools to record audio, edit audio, and mix audio, all with stellar results. But if you want to edit or mix in a different program, don’t get in the way. Avid Software’s Pro Tools is a lot of powerful and flexible software that is the modern standard for recording, editing, and mixing. Sure, it’s a long software in a fast world, but here at the 2019 NAMM Show, it’s clear that Pro Tools in on the way up.
When you decide to work with other software, using Avid’s Pro Tools to stream your audio data is a good thing. Because your audio is stored on a computer, rather than recorded on hardware, it’s possible to capture a lot more audio and play back large selections at once. You can watch up to 16 different mics with Avid’s Timecode Monitor, and record up to 8 instances of audio at once and up to 100 in sync. When timecode monitoring a session, you can select and focus on up to four instances at a time. Timecode monitor affects the clip timeline; selecting the monitor window generally moves the clip window upward. You can also manually move timeline windows by opening the clip or track outline toolbar and dragging. There’s a lot of flexibility here, but it takes a fair amount of multitasking and manual work to manage.
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The Pro Tools integrated module, like Logic Pro, is a standalone application with some editing and DSP features but without real-time plug-ins or tools that are packed in a box. Avid’s Pro Tools HD is a virtual instrument that can simulate the behavior of virtual analog synths and samplers. The companion plug-ins are needed, of course, and there are some that are free, but the most comprehensive collection can be found in the HDVN Premium bundle.
Pro Tools LE, Studio, and Audio are Avid’s three most basic DAWs. Each is free, but only Audio features full multi-channel editing capabilities. Adding plug-ins to one of these DAWs usually requires you to buy a license for an additional module. That makes Audio the least capable of the three, but there are a few free plug-ins that you can use here and there. I’d say they’re a better starter tool for learning DAW basics and editing but not worth considering for new users who already have their own software. (A starter DAW could be an option for experienced users who want to master DAW basics quickly, but think they can make it work on their hardware.
Supporting state-of-the-art virtual instruments is perhaps the coolest part about Pro Tools, because you now have a great place to experiment with a wide variety of sounds. The plug-ins are all out-of-the-box quality and stable, with new sounds coming out all the time. Plus, you can download new content from Avid’s customer support site and then import it into your session if you want to try it out.
In the first round of updates, Pro Tools added a lot of workstation features, but also kept much of their attention on the virtual instrument and MIDI worlds. The plug-ins are better in many ways and the UI is simpler, but the amount of workstation features is still the biggest strength of Avid’s product. It’s much easier to manipulate its mixer view (that’s the version of track view that looks more like a hardware board, with tracks laid out like in the actual mixer), and there’s an improved Track Assign dialog, so you can easily assign and activate plugins on any selected track. Plus, there’s a lot of work that has been done to make the GUI keyboard navigation more precise and more logical.
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What’s new in Avid Pro Tools?
Avid Pro Tools 2022.6 introduces a feature called auto-comping. Auto-comping will automatically select specific audio tracks or busses from a mix to compress when rendering. The audio tracks or busses that will be selected can be customized with the Auto-comping window.
1. Pro Tools took its first steps toward 2.0 with the release of Pro Tools for iOS, announcing support for Avid IK and Avid Iris. Avid Iris is essentially a virtual studio, and links recordings to a huge archive of virtual instruments, plugins, and mixing desks. It can be accessed on the Mac or iPhone, or a Windows desktop. Pro Tools is also opening up the Serato API, which will enable third-party developers to access the audio recording functions in Pro Tools natively. A future release of the iCubase virtual mixing console, to be officially released in October 2019, will also link to Pro Tools.
Avid Pro Tools Patched Version is opening up to devices used by others for mixing, like the Yamaha QY Digital and Digidesign Ultimat V. It has also added a Digital 5 configuration, available in both a software and hardware version. The Digital 5 is an upgrade to the existing Digital 4 and Digital 4/4 G. It adds support for Pro Tools natively in Pro Tools and Cubase, as well as a few other features that youll see in the next Pro Tools Update.
Avid introduced a new feature in the 2018.5 release of Pro Tools: bounce. Bounce makes it easy to manage sessions with identical, related files. Like many things in music, files can be edited with Pro Tools, but Avid makes it easier to get back to a previous version of a file if you need to make a change. This is great when youre mixing multiple vocal takes, for instance, because you wont need to remember the section or take number on every one.
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What’s new in Avid Pro Tools
- Show Grid/Nudge display (as a single button) within the MIDI Editors (within the Main section of the workspace).
- Save/Close button which works inside the entire MIDI Editors screen.
- Status bar text and various UI elements update.
- Updates the Nudge/Grid display if it is currently hidden.
- Hover over Grid/Nudge button to see Grid/Nudge values.
- A greater range of grid spacing options.
Avid Pro Tools Features
- Make changes to audio properties in projects stored in either Avid cloud or Pro Tools HD
- Enhance existing audio properties with VST plugins
- Saving Audio with Avid Cloud uses SPS’ technology. This helps users put in playlists and create workflows based on this useful information.
- If you’re using the new audio tagging, Avid cloud can pull in audio, instrument and MIDI tracks from the cloud to make tags more accurate. Even better, projects can be exported to other cloud services automatically.
- New Floating Lasso tool added to Avid Pro Tools, available for Viewers, Editors and Transmit.
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