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To add more punch to your recordings, the Stereo Spread effect can be used to spread stereo audio to the left and right side. Spread the sound of a vocal on a stereo mix to help it stand out and be heard better. The pitch of the vocal is set in a semi-parametric system in VocalSynth, allowing the user to easily change the pitch during editing. Keyboard VST format is also included for easy access.
VocalSynth 2 comes with five powerful voice engines and three modes of operation. Many presets are included that can be found online and can be accessed directly from the built in Presets browser. Connect in some serious sidechain distortion to make your vocals stand out on drums, guitars, or vocals. Easily tweak your vocal and hook it up to tons of other tools or add it as a synth track. Features include: Single program, Multi-Engine, and Sidechain modes, a Presets browser with all engine presets, Intellijel iScroll, Ozone synth, and more.
Dual core optimized for Mac and Windows, these sidechain effects use the internal PolyVox engine and are fully compatible with iZotope’s Neutron and Ozone plug-ins. With VocalSynth, Italians can create that classic Vocoder effect and sidestream vocals to make them heard in mix. This plug-in is ideal for users wanting to up their Vocal game.
You can use this exciting plug-in as a standalone effect for vocals, guitars, or drums. Mix your vocal into another track and use the Sidechain mode to channel it to the left and right for easy placement in the mix. VocalSynth can be used as a live vocal compressor for vocals, or as a synth track for basses or synths. You can even use it as a gate with the delay effect.
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The controls are available on a Computer, Mac, Android, iOS, and, most importantly, on the IRFs that are being used. The interface on iOS devices, however, is not fully developed at this time. Any existing issues with IRFs will be fixed and updated in a future version of VocalSynth.
VocalSynths Signal Processor is able to intelligently analyze an incoming audio signal, extracting the formants and transposing them down to the appropriate pitch in real time, without need for the hardware. This algorithm enables more versatility in terms of pitch accuracy, and is capable of analyzing non-native sources of sound, such as audio streamed via FTP or other file exchange formats. It also reduces the amount of processing time in real time, cutting out the parts of the algorithm that are not relevant for the function that you are currently using the software for.
You should not expect much in the way of change as these are VocalSynth 1.x products. Support for these products will continue to be provided for the foreseeable future. For up-to-date documentation, see the individual product pages. If you have any questions about whether these products are still supported, please e-mail our support team at [email protected] and include the product name.
* You could run into problems if your hardware is not setup properly. We have a full guide on how to set up the interface that you can find here: http://www.digital-music.org/learning/neutrik/making-izotope-software-run-in-hardware-plug-and-play/
VocalSynth Talkbox is able to intelligently analyze an incoming audio signal, extracting an accurate map/envelope of the formants without need for the hardware. With more latency comes more intelligibility but this compromises the ability for live performance. This parameter allows you to toggle between two types of algorithms, one optimized for live performance, and one for studio use, or the final bounce, which increases intelligibility. The algorithm for studio use has approximately 50 ms of latency at 44.1 kHz. This, coincidentally, is roughly the amount of time it takes all frequencies to pass (a 20 Hz cycle is 50 ms long).
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Who Uses iZotope VocalSynth and Why Is It Important?
The VocalSynth Effects are designed to provide a simple interface and an easy-to-work-with sound. With the VocalSynth Effects Chain at its core, and a sound design technique known as slicing, you can shape and customize sounds to create great new sounds using only VocalSynth. By building an effects chain, one that includes as many effects as possible, you are able to create up to 26 different variations of each effect. For instance, if you have the DualFilter LE effect, along with some sample packs and a few cool presets, you can build a preset chain that includes a dual filter effect, three different distortion effects, three delay effects, and up to four transform effects. By using the DualFilter LE effect, you could potentially create 26 variations of this effect in the chain. Using the preamp and LFO as well as the DSP, you can create up to 26 different variations of the filter.
The VocalSynth Effects can be used in creative ways in your mixing sessions. For example, in “Realistic Ambience”, the track that comes immediately after the track that is being manipulated by the VocalSynth Effects, you can play the same ambient effect that you have used throughout the track in different sections of the track. This gives the effect a “staying power” that lets you take the same effect and use it in different parts of the track without requiring you to go through the process of creating a new preset for each part. You can also use the VocalSynth Effects Chain on multiple tracks at once to create even more variations of your effect. For example, if you are working on a bunch of tracks where you need a different sounding distortion effect, you can quickly click and drag it in the chain and repeat it for each track. This will allow you to quickly build a preset chain of nine distortion effects that you can apply to a variety of tracks.
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iZotope VocalSynth System Requirements
- Intel Mac or PC
iZotope VocalSynth Features
- Adaptive engine
- Open Vocal Effects
- Digital Vocoder
- Digital Compuvox
- Digital Polyvox
- Digital Talkbox
- Digital Biovox
- Sound Forge 8 Tempo and tempo-sensitive sequencer
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